Gordon Henderson brings Dominica’s Cadence-lypso to Route du Rhum 2026
Gordon Henderson & Exile One Continuum will give a free waterfront concert in Pointe-à-Pitre on November 13 as part of Guadeloupe's race arrival celebrations.

POINTE-À-PITRE, Guadeloupe — The Route du Rhum brings solo sailors across the Atlantic from Saint-Malo, France, to Guadeloupe. On Friday, November 13, another journey will be celebrated on the waterfront in Pointe-à-Pitre, where Dominican musician Gordon Henderson and Exile One Continuum will perform on the esplanade of the Mémorial ACTe. The free concert, part of the arrival festivities organised by Région Guadeloupe, is advertised for 10:30 p.m. local time.

How Exile One took shape
For Henderson, the concert brings him back to the island where he built much of his career. In his bilingual account of the band's history, Continuum, he recalls leaving Dominica for Guadeloupe in 1970, joining Les Vikings de la Guadeloupe and recording "Love," a song that went on to find audiences in Suriname and the Netherlands. In 1973, he invited fellow Dominican musicians to Guadeloupe to record an album. Exile One grew out of those sessions.
The recording project also gave the group a route into the international music business. In Continuum, Henderson recalls that Exile One became the first Creole group to sign with a major record label, Barclay. The deal was a milestone for a band that had grown out of a recording session among Dominican musicians in Guadeloupe.
The group helped pioneer cadence-lypso, bringing Haitian cadence-rampa and calypso together in a sound that carried Creole lyrics to international audiences. More than five decades later, Henderson's Continuum lineup brings a new group of musicians and singers to a repertoire that includes "Rosita," "Aki Yaka" and "Travay pou ayen."
Continuum gives a younger generation of performers a role in carrying that catalogue forward. The project takes its name from that continuity, with new musicians and singers performing songs that have been part of Caribbean dance floors and family gatherings for decades.
The waters between Dominica and Guadeloupe
One song in Henderson's repertoire has a particular resonance for a gathering built around an ocean crossing. "L'Hivernage '39–'45" recalls people who left Guadeloupe in small boats for Dominica during the Second World War to join the struggle for freedom. The venue adds another layer to that maritime history. The Mémorial ACTe is dedicated to the memory of the slave trade and slavery, and its waterfront esplanade is where the concert will take place.
The song gives the concert a link to the history of the channel between the two islands. For visitors arriving in Pointe-à-Pitre to follow an ocean race, it offers a different story of why people once took to the water and what awaited them on the other shore.
From the finish line to the waterfront
Held every four years, the Route du Rhum gives Guadeloupe a chance to introduce sailing visitors to the archipelago's cultural life. Région Guadeloupe reported nearly 300,000 visits to its event villages during the 2022 edition. This year's concert offers those drawn by the race a chance to hear a sound shaped by exchanges among neighbouring islands, and to discover the Dominican musicians who helped take it around the world.
The event villages help explain how a sailing race can also serve as a showcase for its host destination. Guadeloupe can introduce visitors who come for the arrivals to music and heritage they might otherwise encounter separately. For Dominica, Henderson's appearance puts a piece of the island's musical history in front of people already gathered in the region for an international event.

What the concert showcases about Dominica
For visitors who first encounter Dominica through Henderson's music, cadence-lypso offers a reason to learn more about the island and its Creole culture. The concert also gives Dominica's creative sector a point of reference. A regional partnership built around sailing or another sporting event could give Dominican performers, cultural organisations and tourism businesses a shared platform, with live music drawing visitors into a wider programme of local experiences.
A planned broadcast on Guadeloupe La 1ère
The event materials also indicate that Guadeloupe La 1ère, part of France Télévisions, plans television coverage of the performance. That would extend the concert's reach beyond the esplanade. Any availability on digital platforms outside Guadeloupe would depend on distribution rights.

